对话与交融:西克苏关于绘画的“出位之思”与“跨界之行”

Dialogue and Blending:Cixous’Andersstreben and“Cross-Boundary Trip”on Painting

西克苏在文学创作中主动将写作与绘画交融,主张文本内部既要保持语词叙事的特性和魅力,又怀有追求视觉艺术效果的野心。她对文学与绘画关系的探寻可谓一种"出位之思",并在此基础上实验性地进行"跨界之行",进一步挖掘语言叙事与绘画艺术之间的对话和互证关系。由评价式反思到创造性构建活动,由简单的语图结合到文学虚拟作画,这反映了西克苏由表及里逐层深入、由思到行大胆创新的革新精神和美学理想。借跨界之机,西克苏成功地打破了纯粹的文字美或艺术美等单向度、扁平化评价标准的束缚,在流动多元、尊重他者、寻找不可能之可能等生命哲学思维的关照下,极大丰富和扩展了文学的表现空间和绘画的诗学维度。

In her literary creation,Cixous took the initiative to blend writing with painting,arguing that the text should not only maintain the characteristics and charm of the narrative of words,but also have the ambition to pursue the aesthetic effect of visual art.Her exploration of the relationship between literature and painting can be described as Andersstreben,on which she realized an experimental cross-boundary trip,in order to further explore the dialogue and mutual proof between literary language narration and painting visual art.From evaluative reflection to creative construction activities,from simple language map to literary virtual painting,Cixous shows her aesthetic ideal of bold innovation from thought to action.Taking the opportunity of crossing the border,Cixous successfully broke the shackles of the unidirectional and flat evaluation criteria,such as pure literary beauty or artistic beauty,and greatly enriched and expanded the expression space of literature and the poetic dimension of painting within the philosophical thinking of life,such as fluidity and pluralism,respecting others and finding impossible possibilities.