摘要
文章以扎哈·哈迪德的建筑实践为例,阐释绘画性空间在建筑设计中的转译过程与实际应用表达。文章结合知觉现象学,阐述了绘画性空间的概念,梳理了绘画性空间的发展历程,介绍了绘画性空间在物理空间与几何空间层面不同的转译方式以及案例分析。探讨空间概念新的意向性——知觉形式的对称概念以一种内在逻辑的形式在绘画与建筑两个领域所建立起的关联空间以及扎哈·哈迪德鲜明独特的设计风格在这种空间中所强调的内容。
Taking Zaha Hadid's architectural practice as an example,this article explains the process and practical application strategy of translation of painting space in architectural design.Combined with perceptual phenomenology,this paper expounds the concept of painting space and sorts out the development process of painting space,and introduces different translation methods and case analysis of painting space at the level of physical space and geometric space.Explore the new intentionality of the concept of space-the symmetry concept of perceptual form establishes an association space in the two fields of painting and architecture in the form of internal logic,and the content emphasized by Zaha's distinctive and unique design style in this space.
作者
张滨
许乘铭
叶洪图
Zhang Bin;Xu Chengming;Ye Hongtu
出处
《建筑与文化》
2021年第3期75-76,共2页
Architecture & Culture
关键词
知觉现象学
绘画性空间
建筑转译
扎哈·哈迪德
perceptual phenomenology
painting space
architectural translation
Zaha Hadid