摘要
西汉“鼓吹”乃皇帝专属之物,赏赐鼓吹极为少见,并严禁臣属擅用鼓吹;至东汉,鼓吹赏赐对象逐渐增多,拥有鼓吹使用权的臣下相应增多,“鼓吹”原初的专属性质被极大削弱,此时,皇帝开始在各项重要活动频繁使用“黄门鼓吹”,使臣下用“鼓吹”与皇帝用“黄门鼓吹”区划开来,“黄门鼓吹”的专属性成为彰显皇权独尊、建构君尊臣卑政治秩序的有效媒介。
In the Western Han Dynasty,the Guchui music was for the emperor’s exclusive use,the reward of Guchui music was extremely rare,the emperor’s ministers were forbidden to use;To the Eastern Han Dynasty,the objects of the Guchui music’s reward increased,the emperor’s ministers who had the right to use the Guchui music as well increased,therefore,the emperor began to use the royal Guchui music in variety of important ceremonial activities,with the distinction between ministers’Guchui music and the emperor’s royal Guchui music,to manifest the highest and his ministers being low.
作者
谢芳
XIE FANG(Academy of Music,Putian College,Putian Fujian 351100,China)
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2021年第3期36-38,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
国家社会科学基金重大招标项目:秦汉时期的国家建构、民族认同、社会整合研究(17ZDA180)
莆田学院引进人才科研启动费项目(2020006)。
关键词
鼓吹赏赐
黄门鼓吹
权力
身份
reward of Guchui music
royal Guchui music
power
identity