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传统与现实的对立与启迪--浅析T.S.艾略特《四个四重奏》

The Contradiction between Tradition and Reality and its Enlightenment--On T.S.Eliot’s Four Quartets
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摘要 《四个四重奏》是英国现代诗人T·S·艾略特的后期佳作,是展现其思想与艺术特征的代表作品之一。诗歌集中表现了其文艺理论的基本观点,通过传统与现实的"对话",在时间上凸显两者的对立,寻求结合与永恒。诗人运用宗教启迪式的语言,对有限与无限、开始与结束、过去与未来、生与死等终极问题进行诗意描绘,是对传统价值的求索与体悟,体现了诗人辩证的宗教历史观,充满了哲理与玄思。 Four Quartets(1935-1943)is one of the best works of Thomas Stearns Eliot(1888-1965),a modern British poet,and one of the representative works which shows his ideological and artistic characteristics.Through the"dialogue"between tradition and reality,the poems highlight the contradiction between the two in time and seek combination and eternity.The poet uses the language of religious enlightenment to depict the ultimate problems such as the limit and the infinite,the beginning and the end,the past and the future,life and death.It is the pursuit and understanding of the traditional value and reflects the poet’s dialectical religious historical view.It is full of philosophy and metaphysics.
作者 孙浩 王化学 SUN Hao;WANG Huaxue(School of Arts,Shandong Normal University,Jinan 250014,China)
出处 《济宁学院学报》 2021年第1期38-42,共5页 Journal of Jining University
关键词 《四个四重奏》 传统与现实 宗教式启迪 Four Quartets tradition and reality religious enlightenment
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  • 1Robert C. Monk et al., Exploring Religious Meaning, 3rd ed., Englewood Cliffs, NJ: Prentice Hall Regents, 1987,pp. 319- 321.
  • 2《T.S.艾略特诗选》,紫芹选编,四川文艺出版社,1988年,第58页.
  • 3Herman Servotte, "The Poetry of Paradox: ' Incarnation' in T. S. Eliot's Four Quartets', in English Studies (Swets &Zeitlinger》, 1991, 4, pp. 377-385.
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  • 6Hoxie Neale Fairchild, Religious Trends in English Poetry,vol. vi, New York: Columbia Univensity Press, 1968, p.494.
  • 7Bernard Bergond. ed., T. S. Eliot Four Quartets: a Casebook, London: Macmillan, 1985, pp. 23- 25, pp. 40 - 45.
  • 8T. S. Eliot, Selected Essays, New York: HBJ, 19.50, p. 111. p. 235, p. 236.
  • 9T.S.艾略特.《基督教与文化》,杨民生,陈常锦译,四川人民出版社,1989年,第49、37—38、20-21、32页.
  • 10Robert Crawford, The Savage and the City in the Work of T.S. Eliot, Oxford: Clarendon, 1987, p. 228.

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