由“武”到“舞”:回族踏脚遗产的文化转换

From“Martial Arts”to“Dance”:The Cultural Transformation of Hui Nationality's Tajiao Heritage

从文化生产的视角出发,探究踏脚遗产的文化转换历程,为体育类“非物质文化遗产”保护的创新性发展提供个案研究。主要运用文献资料法、口述史等研究方法,对不同历史背景下踏脚由“武”到“舞”的生存空间、技术生产和意义重组等过程进行阐释。研究认为:踏脚的生存空间由最底层的生存需求转变为高层次的个人以及社会需求;技术体系随着生存空间及社会需求的不同由“武”转变为“舞”;意义重组由早期的“尚武”之意,在社会变迁及“非物质文化遗产”保护背景下转换为“爱情、地位、身份、集体记忆、相互在场、传承教育”等文化符号。

From the perspective of cultural production,this paper explores the process of cultural transformation of TaJiao,and provides a case study for the innovative development of sports intangible cultural heritage protection.With the methods of literature review and oral history,this paper mainly explains the living space,technical production and meaning reorganization of TaJiao from“martial arts”to“dance”under different historical backgrounds.The research shows that the living space of TaJiao has changed from the lowest survival demand to the high-level personal and social demand;With the difference of living space and social needs,the technical system has changed from“martial arts”to“dance”;Meaning reorganization changed from the early meaning of“martial arts”to cultural symbols such as“love,status,identity,collective memory,mutual presence,inheritance and education"under the background of social change and protection of”intangible cultural heritage.