摘要
师从于李叔同的经历对丰子恺艺术观的形成与发展有着重要的影响。丰子恺在领悟并承袭李叔同艺术观的基础上也开拓出了自身的特色。两人分别秉持着“入世之心,出世治艺”与“出世之心,入世从艺”的艺术创作观;“众艺并蓄,技进于道”与“诸艺共冶,技道双修”的艺术教育观;“陶炼心性,振兴民族”与“丰富生活,服务民众”的艺术价值观;“器识为先,艺即品格”与“童心为源,艺即本真”的艺术本质观。
The experience of studying with Li Shutong had an important influence on the formation and development of Feng Zikai s view on art.Based on the understanding and inheritance of Li Shutong s view,Feng Zikai also developed his own features.They respectively held the views on art and creation of“engaging in the world but being supramundane when creating”and“being supramundane but creating with concerns of the world”,on art education of“taking in numerous arts and cultivating spirits through developing skills”and“combining all arts and cultivating both skills and spirits”,on art s value of“cultivating characters and revitalizing the nation”and“enriching lives and serving the people”,on art s essence of“the mental comes first,and art equals to one s character and morals”and“childishness is the origin,and the art means sincerity”.
作者
董秋雨
Dong Qiuyu(College of Educational Science,Chuzhou University,Chuzhou,Anhui 239000)
出处
《嘉兴学院学报》
2021年第2期59-66,共8页
Journal of Jiaxing University
关键词
李叔同
丰子恺
艺术观
师承关系
比较研究
Li Shutong
Feng Zikai
views on art
mentoring relationship
comparative study