摘要
影像语言作为一种视听语言,在蒙太奇和长镜头的叙事规则和现代科技的支持下,与文学等艺术语言一样具有主观表意功能。通过将影像语言加以结构化,形成符号系统进行表情达意后便有了伦理属性,影像对是非、善恶、暴力、性和意识形态等命题的表现,诉诸视觉、听觉的结构化符号内容传递了特定的伦理价值取向和信息。由此,必须注重影像语言的伦理指向,推动其朝着民族化、审美化的方向发展。
As an audiovisual language, image language, supported by the narrative rules of montage and long shots and modern technology, has the same subjective ideographic function as literature and other artistic languages. By structuring the image language, a symbol system is formed to express ideas and expressing ethics. The performance of images on propositions of right and wrong, good and evil, violence, sex, and ideology, appeals to the structured symbol content of vision and hearlng to convey specific ethical orientation and information. The content conveys specific ethical concepts and information. Therefore, we must pay attention to the ethical orientation of image language and promote its development in the direction of nationalization and aestheticization.
作者
袁智忠
田鹏
Yuan Zhizhong;Tian Peng
出处
《电影艺术》
CSSCI
北大核心
2021年第1期90-94,共5页
Film Art
基金
2020年度国家社科基金艺术学一般项目“改革开放以来主流电影的道德伦理思想研究”(项目批准号:20BC33)
西南大学2020年度中央高校基本科研业务费专项资金项目—创新团队项目“中国电影伦理思想研究”(项目批准号:SWU2009111)的中期成果。
关键词
影像语言
伦理性
伦理审视
审美期待
image language
ethical attributes
ethical review
aesthetic expectation