Cinepilia 2.0:“视频癖”时代的迷影

Cinepilia 2.0: Cinepilia in the Age of Videopilia

随着"后电影"状态到来,"迷影已死"被反复提及。而从电影作为媒介的角度看,在媒介迭代的逻辑下,迷影会跟随电影的媒介转向,在形式与体验上发生变化。我国网络中风靡的电影解说现象可视为一种新型迷影样本,视频以新的形式唤醒了我们对于电影的迷恋并改变了表达这种情感的途径。迷影转为一种有关电影意义生产与消费的群体互动仪式以及操纵电影文本及其时间的游戏。应当说,迷影非但没有消亡,反而其形式与内涵随媒介迭代不断革新,边界不断被扩展。

With the arrival of the "post film" state, the argument that "cinephilia is dead" has been repeatedly mentioned. From the perspective of film as a medium, under the logic of media iteration, cinephilia will follow the film’s media turn and change in form and experience. The popular movie commentary phenomenon in China’s network can be regarded as a new kind of cinephilia sample. Video awakens our infatuation with film in a new form and changes the way to express this emotion. It turns into a kind of group interaction ceremony about the production and consumption of film meaning, and a game of control ing and manipulating the movie text and its time. It should be said that, far from dying out, its form and connotation are constantly innovated with the media iteration, and the boundary is constantly expanded.