摘要
电影《囧妈》以中国式家庭关系为主线,揭示了传统相处模式下的婚姻关系和亲子关系。以影片中三位女性所遭受的创伤为视角,运用创伤叙事理论,可以更好地分析其创伤形成的原因、遭遇创伤后的主体表现以及寻求疗愈创伤的道路。领悟女性创伤视角下的电影叙事所蕴含的主题,可以为当今中国代际之间、夫妻之间的相处模式提供指引与反思。
Taking Chinese family relationship as the main line,the film Lost in Russia reveals the marriage relationship and parentchild relationship in the traditional mode.From the perspective of the trauma suffered by the three women in the film,this paper uses the trauma narrative theory to analyze the causes of the trauma,the main reactions after the trauma and the ways to seek for healing.To understand the theme contained in film narrative from the perspective of female trauma,it can provide guidance and reflection on the relationship among Chinese generations and couples.
作者
兰方
Lan Fang(School of Foreign Languages,Jinling Institute of Technology,Nanjing 211169,China)
出处
《大理大学学报》
CAS
2021年第3期85-88,共4页
Journal of Dali University
关键词
创伤
电影叙事
婚姻关系
亲子关系
trauma
film narrative
marriage
parent-child relationship