从张士诚到朱元璋:浅析江苏地区的政治与明初文人画坛的“沉寂”(从1356年至1385年)

From Zhang Shicheng to Zhu Yuanzhang: A Simple Analysis of the Politic in the Region of Jiangsu and the Silence of the Literal Painting in the Early Ming Dynasty(from 1356 C.E to 1385 C.E)

从1356年张吴政权定都苏州,到1368年朱元璋南京建国,江苏地区政治环境动荡不安,统治阶层与吴中文人群体关系错综复杂,文人画艺术活动随之呈现出多元化的发展面向。文章意在立足对1356年至1385年间政治格局与文人群体之互动关系的考察,辩证地探讨这一阶段文人画家群体的艺术活动与明初文人画坛"沉寂"现象的关联,挖掘其中所包含的文人画"新生"蓄势的力量,反思洪武画坛在中国艺术史上的地位。

From 1356 C.E when the regime of Zhang Wu made Suzhou the capital, to 1368 C.E when Zhu Yuanzhang established the Ming Empire in Nanjing, the political environment in the region of Jiangsu province was in turmoil. The relationships between the dominance hierarchies and the literati groups in Wu were of great complexity, and thus the activities of the literal art presented diversified developmental orientations. The article intends to be based on the observations of the interactions of the politic pattern and the literati groups from 1356 to 1385, discussing dialectically the association between the art activities of the literal painters and the silence phenomenon of the literal painting in the early Ming Dynasty. This paper will then explore the potential powers that make the rebirth of the literal painting and reflect the statue of the Hongwu painting in the Chinese art history.