格斗擂台上传统武者的文化映射及对武术教育的启示

The Cultural Mapping of Traditional Wushu Practitioners in the Fighting Arena and Its Enlightenment to Wushu Education

以现代格斗擂台上的传统武者(事件)为主要研究对象,以武术育人为关注目标,运用多种研究方法,阐述现代格斗擂台上传统武者映射出的文化发展逻辑。在与“技击本质论”的比较中,进一步论述“技击中心观”的概念内涵,并探讨其存在原因。得出:武术教育要扬弃本体论,树立主体观;武术教育要注重以现代性视角挖掘发展传统文化;武术教育要体现思想力;武术教育要注重精神发展;武术教育要传导理性精神。

The main research object is the traditional Wushu practitioners(event)in the modern fighting arena.The goal is to better educate people in Wushu and use a variety of research methods.It expounds the cultural development logic mirrored by traditional wushu practitioners on the modern fighting arena.In the comparison with the"artistic theory",the conceptual connotation of the"artist central view"is further discussed,and the reasons for its existence are discussed.The enlightenment is:Wushu education should sublate ontology and establish a subject view;Wushu education should focus on the development of traditional culture from a modern perspective;Wushu education must embody ideological power;Wushu education should focus on spiritual development;Wushu education must conduct rational spirit.