探析色彩在中国画创作中的重要性

Analyzing the importance of color in the creation of Chinese painting

直到封建经济繁荣、科技文化发达、人民生活富足的唐宋时期,中国画的色彩呈现及运用几乎都是重色、重墨的,所谓重色,在心理感受层面即指有轻一些或重一些的感觉,在色彩学层面即指明度低的色彩,常见的即是丹青重色;而对于色彩的开拓与运用,在唐代达到了顶峰,唐宋时期,中国画的色彩发生了很大的变化,一方面丰富了水墨色彩,同时也发展了笔法,由"有墨无笔"转向"有墨有笔",亦发展出了均衡、协调、节奏、韵律等的形式美法则。其次,在中国画不断发展和演变的过程中,其色彩的概念由丰富到简单,由富厚转向素净,由淡到艳,由精练复归粲焕。本文基于当代文化视域,探析色彩在中国画创作、创新中的重要性,并通过对中国当代色彩与水墨发展现状的研究与探讨,认识到存在的问题,从而提高对色彩理解的重要性,促进当代中国绘画的发展与创新。

Until the Tang and Song dynasties when the feudal economy was prosperous,the technology and culture were developed,and the people’s lives were affluent,the presentation and use of colors in Chinese paintings were almost always emphasizing color and ink.The so-called emphasizing color refers to lightness or weightiness at the level of psychological perception.Some feelings are low-specified colors at the level of chromatology,and the most common is red and blue heavy colors.The development and use of colors reached its peak in the Tang Dynasty.During the Tang and Song Dynasties,the color of Chinese paintings has undergone great changes.Changes have not only enriched the color of ink and wash,but also developed the brushwork,from "with ink without brush" to "with ink with brush",and also developed the principles of form beauty such as balance,coordination,rhythm,and rhythm.Secondly,in the process of continuous development and evolution of Chinese painting,the concept of color has changed from rich to simple,from rich to simple,from light to colorful,and from refined to Chan Huan.Based on the perspective of contemporary culture,this article explores the importance of color in the creation and innovation of Chinese painting,and through the research and discussion of the development status of Chinese contemporary color and ink,recognizes the existing problems,thereby enhancing the importance of color understanding and promoting The development and innovation of contemporary Chinese painting.