赣南客家围屋祠堂的装饰艺术观探析——以关西镇徐氏宗祠为例

An Analysis on the Decorative Art View of Hakka Ancestral Hall in Southern Jiangxi——Take Xu ancestral Ancestral Hall in Kansai Guanxi Town as an example

运用实地调研和文献分析的方法将赣南客家传统民居宗祠的装饰置于特殊的历史语境,剖析赣南客家传统民居宗祠的装饰艺术观念。文章以龙南县关西镇徐氏祖祠为例,通过分析徐氏宗祠的结构性装饰和依附性装饰主要审美意象、风格特征,探讨客家人的宗族观念、血缘文化和生活实践诸多因素对客家宗祠装饰艺术观的影响,认为客家人将自己民系的文化观、思想观以符合自身审美的心理尺度投射于祠堂装饰艺术之上,对于现代艺术设计实践具有积极的借鉴意义。

By using the methods of field investigation and document analysis,the decoration of Gannan Hakka traditional folk house ancestral halls is placed in a special historical context,and the decorative art concept of Gannan Hakka traditional folk house ancestral halls is analyzed.This article takes Xu's ancestral temple in Guanxi Town,Longnan County as an example.Through the analysis of the main aesthetic image and style characteristics of Xu's ancestral temple's structural decoration and dependent decoration,it explores the influence of Hakka people's clan concept,blood culture,and life practice.The influence of ancestral hall decoration art view.This article believes that the Hakka people project their own ethnic cultural and ideological views on the decorative art of ancestral halls with a psychological scale that conforms to their own aesthetics,which has positive reference significance for modern art design practice.