对罗斯科“典型形式”阶段画面中色块边缘线特点的研究

A study of the characteristics of color block edge lines in Roscoe’s "typical form" stage

本文试图从以下两大方面来分析罗斯科"典型形式"阶段画面中的色块边缘线的特点。特点之一是用边缘组构画面,此部分分析了边缘线、空间纵深感对组构画面的影响,通过老大师与罗斯科的画面对比,发现罗斯科将边缘线从对现实物象的依附中解放出来,边缘线在其画中只是纯粹意义上的色块边缘,此时用边缘组构画面就成了其特点;其二是此阶段的边缘线有着古典的气息,把古典老大师们处理边缘线的方法与罗斯科处理边缘线的方法相对照,然后以格林伯格提出的"绘画性东西的对等物"理念为入口,论证了罗斯科在找到"对等物"的同时没有完全放弃绘画性,因此色块边缘才会看起来如此古典。

This paper attempts to analyze the characteristics of the edge lines of color blocks in Roscoe’s "Typical Form" stage from the following two aspects.One of its characteristic is to use edge fabric picture, this part analyzes the edge line, space depth influence on fabric images, by the old master and roscoe image contrast, found roscoe edge line from attachment to the real object liberated, edge line on the edge of the painting is just a pure sense of color piece, this time with edge fabric images is its characteristic;Secondly, at this stage the edge of the line has a classical flavor, the classical old masters treatment edge line method and roscoe edge line of control, the method of and then put forward by Mr Greenberg’s equivalent of "painting things" concept for the entrance, demonstrates the roscoe found a "counterpart" while not completely give up drawing, so the color piece look so classical edge.