审美资本与经济资本的耦合——丽水“巴比松”画派风景美学的当代意义

The Coupling of Aesthetic Capital and Economic Capital——Contemporary Significance of Lishui’s “Barbizon” School of Landscape A esthetics

作为地方画派,丽水"巴比松"是对法国巴比松文化异质和时间隔代的承继。丽水"巴比松"不仅在艺术创作上有着自己独特的风格,产生了比较大的影响,并且与地方经济、文化建设耦合得也相当成功,这源于丽水"巴比松"引人注目的风景美学观。这种风景美学的追求在践行"两山理论"的背景中,顺利地实现了经济资本与审美资本的和谐共处。

As a local school of painting, Lishui "barbizon" is the inheritance of French barbizon’s cultural heterogeneity and time gap. Lishui "barbizon" not only has its own unique style in artistic creation, has produced a relatively large impact, and coupled with the local economic and cultural construction is also quite successful, this is due to Lishui"barbizon" eye-catching aesthetic view of the landscape. This pursuit of landscape aesthetics successfully realizes the harmonious coexistence of economic capital and aesthetic capital in the background of the practice of the Two Mountains theory.