民国时期福建油画的文化构成及影响

The Cultural Composition and Influence of Fujian Oil Painting in the Republic of China

因其自然风物和地理位置的原因,福建与台湾、东南亚人员交流素来频繁,甚至胜于与内陆的联系。民国时期福建油画呈现出多种文化构成,包括传统文化,东洋、西洋文化等,其影响也不限于八闽之内,而是远播周边地区华人文化圈。主要代表人物有郭应麟、谢投八、方君璧、周碧初、林克恭、林学大等,他们大多有留学背景,以传统文化为根基,传外域文化于内,又转而影响于外,这种独特的文化现象极为罕见,有重要的研究价值。

Due to its natural scenery and geographical location, Fujian has frequent exchanges with Taiwan and Southeast Asia, even more than with the inland. During the Republic of China, Fujian oil painting presented a variety of cultural compositions, including traditional culture, Oriental and Western culture, etc. whose influence was not limited to Fujian, but spread far away to the surrounding Chinese cultural circle. The main representatives are GUO Yinglin, XIE Touba, FANG Junbi, ZHOU Bichu, LIN Kegong, LIN Xueda, etc. Most of them have overseas study background and take traditional culture as the foundation, which spreads the foreign culture inside and then influences it outside. This very unique cultural phenomenon is extremely rare and has important research value.