摘要
纵观中西美术的交流历程,其中有三个阶段对整个中国美术发展起到重要且长远的影响,分别为清传教士来华期、20世纪初期,以及改革开放期。尽管这三次交流在中国美术史上均掀起过大浪潮,但是它们在其各自的发展阶段中却呈现出明显不同的特质。故此,本文寄望通过自律与他律的哲学视角,来进一步细致地辨析这三次交流历程的异同性,从而深入地思考中西美术交流的历史时代价值及当下现实意义。
Review the communicative exchanges between Chinese and Western fine art, three phases have exerted a profound and far-reaching impact on the development of Chinese fine art, i.e. the period when missionaries came to China in the Qing dynasty, the early 20 th century, and the period after the implementation of the reform and opening-up policy. Even though the three phases are major waves of the history of Chinese fine art, they have brought different effects on the progress of Chinese fine art. Drawing on the autonomy and heteronomy theory of philosophy, this paper seeks to deepen the understanding of the value and relevance of the communications between Chinese and Western fine art through the discrimination of their convergences and divergences.
作者
魏于凡
WEI Yufan(College of Arts,Sichuan University,Chengdu,Sichuan,610065)
出处
《艺术生活》
2020年第4期52-57,共6页
Art & Life
关键词
中西美术交流
自律
他律
辨析
the communicative exchanges between Chinese and Western fine art
heteronomy
autonomy
discrimination