摘要
首届民族音乐学研讨会于1980年在南京艺术学院举办之后,西方民族音乐学理论及其方法的学习与运用在中国内地逐渐兴起,发展迅速。着眼于这一现实,文章核心讨论和思考的问题发端于两个基本层面:其一,西方民族音乐学的传入与被接受有着怎样的中国实践?其二,四十年来的本土实践,民族音乐学成就出怎样的中国经验?抑或民族音乐学需要怎样的中国经验?
The first symposium on ethnomusicology was held in the Nanjing University of the Art in 1980,since then the study and application of Western ethnomusicology theories and methods have gradually risen and developed rapidly in China's Mainland.Focusing on this reality,the core issues discussed and considered in this article start from two basic levels:first,what is the Chinese practice of the introduction and acceptance of Western ethnomusicology?Second,what kind of Chinese experience has ethnomusicology achieved in the past 40 years?Or what kind of Chinese experience does ethnomusicology need?
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2021年第1期1-13,I0006,共14页
Journal of Nanjing Arts Institute:Music & Performance
关键词
民族音乐
民族音乐学
中国实践
中国经验
national music
ethnomusicology
Chinese practice
Chinese experience