民族音乐学“音乐与认同”专题研究的回顾与反思

Review and Reflection on the Research of"Music and Identity"in Ethnomusicology

2015年,南京艺术学院以“反思与建构”为主题召开了“中国民族音乐学反思与建构学术研讨会”,诸位专家学者从主体性、差异性等不同维度涉及“认同”主题。2020年,值此“纪念首届全国‘民族音乐学学术研讨会’召开四十周年暨民族音乐学理论建设与发展学术研讨会”召开之际,同时也是“音乐与认同”译文集——《世界音乐与文化认同》付梓出版之际,笔者认为有必要对“音乐与认同”这一话题近年来的国内外学术动态进行回顾与梳理,将其当下与未来的学术研究态势进行展望,并进一步反思“专题研究”对民族音乐学理论与方法、学科建设的意义。

In 2015,Nanjing University of the Arts held a forum on reflection and construction of Chinese ethnomusicology with the theme of"reflection and construction".Experts and scholars involved in the theme of"identity"from different dimensions such as subjectivity and difference.In 2020,when"commemorating the 40th anniversary of the first National Symposium on Ethnomusicology and the Symposium on the Theoretical Construction and Development of Ethnomusicology"is about to be held,and also when the translation collection of"music and identity",World Music and Cultural Identity,was published,the authors believed that it was necessary to study the topic of"music and identity"at home and abroad in recent years.This paper reviews and combs the academic trends,prospects the current and future academic research situation,and further reflects on the significance of"special research"to the theory and method of ethnomusicology and discipline construction.