充满“圣性”的“他者”——《孤独的盲歌女》中的女性形象解读

"The Other"Full of"Sanctity":The Interpretation of Female Images in Ballad of Orin

水上勉诸多文学作品中塑造的女性人物均是社会主流文化边缘的“他者”。在这些作为“他者”出现的女性人物身上呈现出一些相似的特点:她们虽然出生卑微、身世悲惨,身上却总是闪耀着诸如“隐忍”“献身”“救济”之类的“圣性”光芒。作为其中的典型代表,《孤独的盲歌女》中女主人公阿琳的成长过程完整地展现了这些“他者”逐渐“圣化”的心路历程。在该作品中,性欲的有无成了左右阿琳圣俗的砝码,其“圣化”的过程,也是其慢慢消解自身性欲的过程。

Mizukami Tsutomu was a representative writer in the Showa period of Japan.The characters in many of his works are"others"on the edge of society.These female characters as"others"show some similar characteristics:although they were born in humble and miserable life,they were often portrayed as"submissive people","dedicator"and"salvation".As a typical example,the growth process of the heroine Orin in Ballad of Orin fully shows the process of the blind girl's gradual"sanctification".In this work,the existence or absence of sexual desire becomes the weight to determine whether Orin is humble or sacred.The process of her"sanctification"is also the process of her own sexual desire.