当代艺术策展观念的变革及其美学问题域的构成——以瑞士策展人奥布里斯特的“对话”策展理念为例

Changes in Curatorial Concept of Contemporary Art and the Composition of Aesthetic Domain:A Case Study of Swiss Curator Obrist's Curation Concept of“Dialogue”

瑞士策展人汉斯·乌尔里希·奥布里斯特(以下简称奥布里斯特)凭借其独特的策展理念,将当代艺术的展览场地从传统的博物馆、美术馆转向了自己家中的厨房、机舱、街头乃至下水道中,使其成为世界顶级的当代艺术策展人之一。奥氏的策展理念不仅为20世纪90年代的艺术景观做出了巨大贡献,同时也改变了“白盒子”式画廊的可能性。纵观奥布里斯特的策展理念,无疑是将“对话”作为一种方法论展开的。从当代艺术策展的现状来看,“对话”已俨然从奥氏的策展理念上升为一种文化景观。

Swiss curator Hans Ulrich Obrist(shortened as Obrist)has become one of the world’s top curators in contemporary art with his unique curatorial concepts:transforming the exhibition sites of contemporary art from traditional museums and art galleries into kitchens at one’s own homes,passenger compartments,streets and even city sewers.Obrist's curatorial concept not only made a great contribution to the art landscape in the 1990s,but also rendered a possibility to change the“white box”gallery.“Dialogue”no doubt is developed as a methodology with an overview of Obrist’s auratorial concept which has been upgraded as a kind of cultural landscape viewed from the current situation of contemporary art curation.