摘要
21世纪陡然升温的粉丝经济格外引人注目,闪现于不同媒体的演艺人员作为时尚流变的风向标受到娱乐媒体的追逐与吹捧,并被冠以明星的桂冠。但这种仅仅囿于短暂时髦的鲜肉流星与历经岁月沉淀的阮玲玉、于蓝、巩俐无法相提并论。在20世纪的电影图谱上,阮玲玉、于蓝、巩俐分别指称不同的历史年份,她们有着不一样的表演信念和不一样的银幕形象,但都在自己的高光时刻点燃了国民的观影热情。特定的历史情境是明星诞生的前提,变动不居的20世纪成就了她们的表演人生,而她们的活动影像也双重地进入公共领域与私人记忆,提供了比文字更加复杂多义的细节表征。
Entertainers in different media are chased and vaunted by the entertainment media as the wind vane of fashion who are crowned as stars in the 21st century with an abrupt rise of the particularly striking fans economy.Yet these little fresh meat of social media celebrities who are bound to be transient and flashy cannot be comparable to those sophisticated actresses,such as RUAN Lingyu,YU Lan and GONG Li who respectively represent different historical periods in the film atlas of the 20th century with diverse performance beliefs and distinctive screen images and they all ignite people's enthusiasm of film watching at the best moments of their career.For the specific historical context is the premise of star-making,the constantly changing 20th century shaped their acting lives and their performing images have entered the public domains and private memories,providing more complicated and multi-meaninged representations of detail than words.
作者
杨远婴
YANG Yuanying(Department of Film Studies,Beijing Film Academy,Beijing 100088,China)
出处
《贵州大学学报(艺术版)》
2021年第1期23-30,共8页
Journal of Guizhou University Art Edition
关键词
世纪图谱
性别表演
明星境遇
centennial atlas
gender performance
movie stars'life circumstance