加缪《婚礼集》中的符号隐喻

Semiotic Metaphors in Camus’s Wedding

加缪的《婚礼集》似乎描写了北非的自然风光、古罗马遗迹以及人类与自然的"婚礼"。然而,对死亡意识的唤醒和对荒诞意识的揭示激发了对存在意识的觉悟。通过自然风景的描写,生活场景的再现,对存在现象的凝视,作品构建了一个表现存在与荒诞的符号体系。这些符号旨在唤醒人们的存在意识,召唤人们担当起自己的存在,探讨和学习新的生活艺术,通过讴歌人类与自然的婚礼,去寻找一种生存的诗意。

Albert Camus’ s Wedding seemingly describes the natural beauty of North Africa, Roman ruins and the "wedding" between humanity and nature. However, the book’s awakening of a consciousness of death and the revelation of absurdity aim to inspire a consciousness of existence. Through its description of natural scenery, representation of scenes from life and contemplation on existence, the work constructs a semiotic system that intends to awaken people to a consciousness of existence, to call people to explore and learn a new art of living, and, through a wedding between humanity and nature, find poetry in existence.