和合共生:文学作品创作的社会生态审美之维——以达真《康巴》和阿来《空山》为例探微

Ecological Aesthetic of Society in LiteraryWorks:a Case Study of Dadrin’s Kham and Alai’s Empty Mountain

多元文化融合共存、和谐共荣是社会和合共生的生态审美内涵,和合共生是文学作品创作中的社会生态审美要义。达真的《康巴》和阿来的《空山》创作中对民族地区社会的多元文化融合状况进行了深入描写,描绘出了社会生态审美的美好图景。作家的社会生态审美思想体现了社会和合状态下要实现共生需要克服融合带来的矛盾的哲理,提出了多元文化融合共生必然推进民族团结及社会和谐发展的启示。

The integration,symbiosis,and co-prosperity of multi-cultures are the connotation of ecological aesthetic to the harmonious community with multiple nations,and harmonious coexistence is the essence of social ecological aesthetic in the literary works.Dadrin’s Kham and Alai’s Empty Mountain depict the integration of multi-cultures in Tibetan society in depth,and is an embodiment of ecological aesthetics of the society.The writers’thought of social-ecological aesthetic expresses the idea that to realize the coexistence,the contradictions brought about by integration need to be overcome,and gives the the enlightenment that integration and symbiosis of multi-cultures promote national unity and harmonious development of the society.