摘要
秦汉时期画像砖石中的九尾狐形象与当时盛行的黄老道教,神仙学在内容上彼此指涉,符号内蕴丰富﹐对中国地域文化产生了深远的影响。在历史考古学领域,"语-图"这组勾连语词与图像的关系,正是建立在视觉艺术和图像研究的基础之上。在这一框架下,“图”与“史”关联紧密,"图"在历史研究中有着特别的学术意义。秦汉时期画像砖中九尾狐等神话形象的呈现不仅能反映当时社会的思想观念,是一定时代社会生活的反映,还在文化上影响了今天艺术作品的符号建构,辅助塑造了不同地域的文化特性。
The image of the Jiuwei Fox in the masonry of the Qin and Han Dynastics and the prevailing Huang Lao Taoism and Shenxue refer to each other in content.The symbols are rich in content and have a profound impact on Chinese regional culture.In the field of historical archeology the"linguistics-iconography"relationship connects words and images,based onthe study of visual art and images.Under this framework,"picture"and"history"are closely related,and"picture"has specialacademic significance in historical research.The presentation of mythological images such as the Jiuwei Fox in the portraittiles of the Qin and Han dynasties not only reflects the thoughts and concepts of the society at that time,but also reflects thesocial life of a certain era.It also culturally affects the symbolic construction of today's art works and assists in shaping the culture of different regions characteristic.
出处
《地域文化研究》
2021年第2期118-123,M0005,M0006,共8页
关键词
画像砖石
狐仙
图像学
Stone relief
Jiuwei Fox
Iconograph
