电影共同体美学建构的心理学进路

The Psychological Approach to Aesthetic Construction of Film Community

电影共同体美学作为一个开放性、全域性的命题,具有宏大的理论阐释和实践推进空间。从电影心理学的角度说,情绪共情是电影美学共同体的本原和必经之路;认知共情是电影美学共同体的归宿和高级阶段。立足影像,发乎情,止乎义,是电影共同体美学与情感共同体建构的整体方向和完形路径。一方面,情绪共情如果没有认知共情作为牵引,就不可能走向深入和持久;另一方面,认知共情如果没有情绪共情作为铺垫,就不可能循环往复和生生不息。心理学视角的介入,基于当下时代发展的电影观念,立足于人类情感的现代转向,是一条建立在传统艺术学基础上,结合新时代电影共同体美学建设的新的视野和进路,也为其他学科、范式和方法的进入与参与提供了有益的参照。

Film community aesthetics,as an open-ended and all-directional proposition,boasts vast potentials for theoretical interpretation and practical promotion.Based on the psychology of film,emotional empathy is the origin and pathway of film community aesthetics while cognitive empathy is the destination and advanced stage.Image-based is the overall direction and path for the construction of the film community aesthetics and emotional community.On the one hand,if emotional empathy does not have cognitive empathy as a traction,it cannot go deep and lasting;on the other hand,if cognitive empathy does not have emotional empathy as a foreshadowing,it is impossible to cycle and continue.They are closely intertwined and mutually beneficial.The implementation of psychological perspective to the classic film theory have developed new visions and approaches to meet the rising attention of affective factors and film community aesthetics,which also shed lights on the integration of classic film theory with other disciplines and subjects.