感性的肉身与图像的生成--论梅洛-庞蒂的肉身思想与当代视觉文化的契合

The Sensual Body and Image Generation:On the Connection between Merleau-Ponty’s Body Thought and Contemporary Visual Culture

梅洛-庞蒂的肉身概念是一种具体化原则,肉身具有的可见的原初特性在人们之间置入一种普遍的视觉。他以感性的肉身建构人与世界的主体间性,生成包含性的存在之域与视觉图像,昭示了感性的本体论地位。现代绘画的本质特征在于肉身的绽露,肉身不仅包括事物的肉身,也包括作为所有生命体寓居世界之中的肉身。电影则展现了人与自然之间可逆的艺术关系,世界成为共享的知觉场,启发观者的身体与图像之间进行互动,返回生命体验本身,从而契合当代视觉文化的特征。

Merleau-Ponty’s concept of physical body is a concrete principle.The physical body has an original characteristic of visibility,and embeds a universal vision among people.The sensuous body constructs the inter-subjectivity relationship between human and the world,generates inclusive domain of existence and visual images,indicate the ontological status of sensibility.The essential feature of modern painting is the unfolding of the body,which includes not only the physical body of things,but also the flesh where all living beings live in the world.The film shows the“reversible”artistic relationship between man and nature.The world becomes a shared perception field,inspiring the interaction between the viewer’s body and the image,and returning to the life experience itself,which matches the characteristics of contemporary visual culture.