“‘戏剧观’讨论”40年之一瞥

On the Debate of Views on Drama in 40 Years

本文重新回顾了40年前开始的"戏剧观"讨论,并梳理了黄佐临先生、高行健先生、谭霈生先生对"戏剧观"不同的定义和解读,对比其间的差异,并通过回顾"戏剧观"讨论中产生广泛讨论的中外剧作以及不同观点的出现与交锋,从历史的角度回顾这场戏剧史上罕见的争论。作者认为,40年的时间沉淀,足以让我们摆脱"不识庐山真面目,只缘身在此山中"的境况,"戏剧观大讨论"是由戏剧人自发的行动而形成的。20世纪80年代最值得人们回顾的,是"多元化""多声音"的格局出现。

This article reviews the debate of views on drama started 40 years ago, sorts out the different definitions and interpretations of views on drama by Mr. Huang Zuolin, Mr. Gao Xingjian and Mr. Tan Peisheng, and compares the differences between them. It also reviews the Chinese and foreign drama widely discussed in the debate of views on drama and the emergence and confrontation of different views, looking back on the rare debates from a historical perspective. The author believes that 40 years have been long enough to let us get rid of the situation that "the true face of Lushan is lost to my sight, for it is right in this mountain that I reside." The great debate of Views on Drama is initiated by the spontaneously by theater professionals. In retrospect, in 1980 s the appearance of "diversified" and "multi-voice" situation matters.