摘要
乾隆在位期间共开展过六次南巡,目的在于稳定江南,巩固统治,实现清朝政治文化的大一统格局。在历次南巡过程中,他常于巡游胜景时御笔书联,进行书画游艺与收藏品鉴活动,以体现统治者文武十全的文化形象,以及满汉文化的融合认同。通过相关文献资料的搜集整理,重构乾隆南巡书画活动的历史,有助于从文学艺术的角度去审视其文化认同的丰富蕴含。乾隆的御笔题咏、御制诗文和御笔书画,因其特殊的帝王身份,也具有不同于普通诗文书画的社会历史意义。
Emperor Qianlong made six inspection tours to southern China during his reign,aiming to stabilize the southern China,to consolidate his reign,and to realize the political and culture unification of the Qing Dynasty.During his inspection tours,Emperor Qianlong often wrote calligraphic couplets for scenic spots and attended calligraphy and painting activities,showing his all-round cultural image in civil and military affairs and the integration of Manchu and Han cultures.The study of these activities will help us to examine political culture from the perspective of literature and art,and clarify the political and culture intentions contained in literary and artistic activities.Sightseeing and appreciation of painting and calligraphy are reflecting the ruler’s policy,the shaping of culture image and the fusion of Manchu and Han culture.Through the collection,collation and research of literature,we can reconstruct the history of Qianlong’s southern tour,analyze the mentality in the process of the tour,and explore the implication.
作者
欧阳智敏
张毅
Ouyang Zhimin;Zhang Yi
出处
《文学与文化》
2021年第1期39-47,共9页
Literature and Culture Studies
基金
国家社科基金重大项目“中国近世书画文学文献整理和研究”(19ZDA275)的阶段性成果。
关键词
乾隆
南巡
御笔
书画题咏
Emperor Qianlong
Southern Tour Inspection
Words Written by Emperor
Calligraphy and Painting for Praising Scenery