礼坏乐崩与《诗》应用的变迁:从歌《诗》、赋《诗》到引《诗》——以《左传》文本为考察核心

The Application Transformation of The Book of Songs(Shi Jing)during the Spring and Autumn Period in the Context of the Collapse of Rites and Music Principles:Based on Examination of The Tso Chuan(Zuo Zhuan)

西周初期的《诗》集诗歌、音乐与舞蹈为一体,应用于各类正式典礼场合。然而随着西周礼乐制度的崩坏,国家政治运作模式发生了巨大的变化,周王室权威不断下降,导致原本用于国家大型典礼的《诗》也逐渐失去了应用的场合。春秋时期,诸侯国之间的聘问往来取代了以天子为中心的各类政治典礼,成为当时政治生活的主流,《诗》的应用和功能也随之发生改变,原本诗、乐、舞三位一体的繁复模式开始逐步简化和瓦解,乐、舞的元素逐步消退,而《诗》的文本意义开始逐步凸显,以适应政治社交场合的实际需要。春秋时期《诗》的应用变迁历程,完整映射了西周以宗法制度为核心的礼乐制度的消亡史。

The Book of Songs of the early Western Zhou Dynasty is a collection of poetry,music and dance,which is used in country's formal ceremonies.But with the collapse of Rites and Music Principles of the western Zhou Dynasty,great changes had taken place in national political operation model,that causes The Book of Songs originally used in national large ceremony also gradually lost its application occasions.In the spring and autumn period,the diplomacy between kingdoms became the mainstream in the political life at that time,so the application and function of The Book of Songs had been changed accordingly,the complicated pattern of The Book of Songs which combined poetry,music,and dance began to simplify and collapse,music and dance elements faded gradually,and the text meaning of The Book of Songs had been highlighted gradually,to adapt to the political and social situation of that period.