摘要
太空科幻电影的“荒岛”意象与荒岛文学主题相通,塑造偶发性与并置性的“荒芜”空间,凸显“黑夜”特性,与“白日”的二元分立表征心理空间混乱,对个体欲望的追逐引发伦理困境。“荒岛”意象展现太空扩张时代对“乌托邦”理想的追求,价值差异带来“伊甸园”式的异化结果。“荒岛”意象负荷外向探寻的文化需求,承载大众对科幻电影真实性的揣摩,凸显太空科幻电影从视觉到知觉的审美转向及其文化反思。
The“desert island”imagery in space science fiction movies is connected with the theme of desert island literature.It creates a“desert”space of contingency and juxtaposition,highlighting the characteristics of“dark night”.The binary opposition of“day”and“night”represents the chaos of one’s psychological space.The pursuit of individual desires causes ethical dilemmas.The“desert island”imagery shows the pursuit of the ideal of“utopia”in the space expansion era,and the difference in value leads to the alienation of“Garden of Eden”.The image of“desert island”is loaded with the cultural needs of outward exploration,bears the weight of the public speculation on the authenticity of science fiction movies,and highlights the aesthetic turning of space science fiction movies from vision to perception and the cultural reflection.
作者
刘中望
向宇
LIU Zhong-wang;XIANG Yu(School of Literature and Journalism, Xiangtan University, Xiangtan, Hunan 411105, China)
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2021年第2期128-132,138,共6页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
湖南省教育厅重点项目“传播学视域中的现代中国左翼文论研究”(20A483)
湖南省学位与研究生教改重点项目“改革开放40年湖南省中文学科研究生培养经验与反思研究”(JG2018A017)。
关键词
太空科幻电影
荒岛
黑夜
白日
太空扩张时代
space science fiction movies
desert island
night
day
the age of space expansion