摘要
美术家对待文物,希望能看到最初的样式,以见证其意匠的巧妙和造型的水平。如果能在艺术上解释那些受到侵蚀或破损的石刻画像的最初样式,或接近最初,将有助于了解它的历史成就。
When dealing with cultural relics,artists hope to see the original style,so as to witness the cleverness of the designer and the level of modeling.If we can artistically explain the original(or close to the original)style of the eroded or damaged stone carving portraits,it will help us to understand their historical achievements.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2021年第1期1-4,I0002,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
石刻画像
画像石
拓片
stone carving portrait
stone relief
rubbing