患难·融合·共生:上海沦陷期的犹太难民画家群体

Adversity,Integration and Coexistence:The Group of Jewish Refugee Painters in the Occupied Shanghai

本文以20世纪30至40年代上海租界的犹太难民画家群体为对象,从社会学、历史学以及地域文化视角综合分析上海成为犹太难民画家理想家园的缘由,探讨犹太难民画家“艺术移民”的五条路径,并从图像学角度解析这一画家群体所描绘的上海民生图景以形塑群体形象,藉此补遗近现代中犹美术交流史。

The group of Jewish refugee painters in Shanghai is a special case of heterotopia cultural exchange.Up until now,the existing research has been generally focused on the overall study of Jews in cities or regions,while the special research on the elite group of Jewish refugee painters in Shanghai is rare.This paper focuses on the Jewish refugee painters in the Shanghai Concession from the 1930s to the 1940s,especially taking Friedrich Schiff and David Ludwig Bloch as examples,to explore the reason why Shanghai has become a paradise for Jewish refugee painters from the perspectives of sociology,history and regional culture.Afterwards,it discusses five paths of Jewish refugee painters'"art migration",and analyzes the livelihood picture depicted from the perspective of iconology to shape the image of this specific group.This helps to supplement the modern Sino-Jewish art exchange history.