期刊文献+

明清中西方绘画审美比较论

On Comparison of Aesthetics in Chinese and Western Painting in Ming and Qing Dynasties
下载PDF
导出
摘要 本文论述了明清理论家和画家对当时传入中国的西方绘画的反应和认识,进而表明他们对西方绘画既有学习和吸收的一面,又有根据中国艺术立场对西方绘画作出独立审美判断和批评的一面。明清理论家和画家对西方绘画的认识和判断以及批评,对于我们今天依然具有重要的参照价值和意义。 This paper discusses the reaction and understanding of the theorists and painters of Ming and Qing Dynasties to the western painting introduced into China at that time,and shows in a further way that they not only learned and absorbed the western painting,but also made independent aesthetic judgment and criticism on the western painting according to the position of Chinese art.The understanding,judgment and criticism of Western painting by theorists and painters in Ming and Qing Dynasties still have important reference value and significance for us today.
作者 樊波 Fan Bo
出处 《南京艺术学院学报(美术与设计)》 CSSCI 北大核心 2021年第1期142-145,I0003,共5页 Journal of Nanjing Arts Institute:Fine Arts & Design
基金 江苏高校哲学社会科学研究重大项目和重点项目《中国画的审美形态》(2017ZDAXM013)。
关键词 中西绘画 审美比较 吸收和批评 独立判断 Chinese and Western painting comparison of aesthetics absorption and criticism independent judgment

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部