摘要
The aim is to examine Madonna’s revolution regarding gender,sexuality,politics,and religion with the focus on her songs,videos,and live performances.The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender,promote gender deconstruction and sexual multiplicity,create political sites of resistance,question the Catholic dissociation between the physical and the divine,and bring visual and musical influences from multiple cultures and marginalized identities.
