摘要
痖弦学习、教授戏剧的同时也进行新诗创作,他把戏剧元素移植至诗,使其诗歌具有了戏剧性特点。他把诗的抒情主体融入戏剧中的角色,采用有利于抒情的人称和虚拟身份进行抒情,运用独白手法淋漓尽致地表达思想感情。其诗歌内容中具有戏剧冲突的特点,诗中广泛采用拟人手法,不论是写人还是写物、写景、写情、写神灵都充满冲突故事,并注意选取故事冲突中包含着丰富感受的典型意象来为抒情服务;语言上借鉴了戏剧的舞台说明手法,辅助刻画心理、描写神态、进行解释和提示。
While Ya Xian studied and taught drama, he also wrote new poems.He transplanted the elements of drama into the poems, giving them the characteristic of the drama.He gave the lyrical subject the role of a drama, adopted the person conducive to lyricism and virtual identity to express the emotion, and used monologue technique to express his thoughts and feelings incisively and vividly.His poetry is characterized by dramatic conflict, and personification is widely used.No matter writing about people, objects, scenes, feelings or gods, his poetry is always full of conflict stories.He tries to select the typical images with rich feelings in the conflict stories, and use them to express the emotion.In his language, he borrows the stage description technique in drama to assist in depicting the psychology, describing the manner, and making explanation and prompt.
作者
陈征
李诠林
Chen Zheng;Li Quanlin(Frujian Normal University,Fuzhou City,Fuyjian Province,350007)
出处
《黄河科技学院学报》
2021年第3期87-91,共5页
Journal of Huanghe S&T College
关键词
痖弦
诗歌
虚拟
冲突
舞台说明
戏剧元素
Ya Xian
poetry
virtual
conflict
stage description
drama element