拼贴与重构——阿尔多·罗西绘画中的城市与建筑

Collage and Reconstruction City and Architecture in Aldo Rossi’s Paintings

以阿尔多·罗西的绘画为分析对象,选择虚构地图、静物组合画与场景意象图3种类型,系统梳理其形式结构与素材文本,剖析嵌入、重组与并置等拼贴手法;指出罗西将绘画作为一种方法,对不同历史时期的城市与建筑进行类比设计,建立从物件到建筑的构形方法,再现具有集体记忆的场所;结合时代背景与标志性事件,切片式溯源罗西的城市建筑理论和设计作品,并将绘画、理论与实践进行关联性对比,探讨绘画对重构建筑设计方法的意义。

Taking Aldo Rossi’s paintings as the object of analysis,this paper selects three types,i.e.fictional maps,still-life painting,and intentional scene painting,to study the paintings’formal structures and contents,collage techniques such as embedding,recombination,and juxtaposition.It considers painting used by Rossi as an approach to analogize cities and architecture from different historical periods,to establish a method of construction from object to building,and to recreate places with collective memory.Combining the context of the era with landmark events,it reviews Rossi’s architectural theories and his woks to comparatively study the relations of his paintings theories and practices,revealing the significance of the painting in reconstructing architectural design methods.