跨界艺术的全球化互动与审美在地化生成——香港跳格国际舞蹈影像节成长观察

The Global Interaction of Crossover Art and the Generation of Aesthetic Localization: Observation on the Growth of Hong Kong Jumping Frames International Dance Video Festival

国际舞蹈影像节经过了近半个世纪的发展已蔚为大观,成为世界范围内引人注目的文化现象。其中,香港跳格国际舞蹈影像节在亚洲脱颖而出,并产生了一定的国际影响力。文章以"跳格"的审美在地化及其全球化交流合作的良性互动为观察切入口,梳理"跳格"16年的实践经验,可以见出其运作成功的根本原因在于吸收了国际舞蹈影像节基本机制的成功经验,深入的国际交流与精研式的调整衍化生成了长效的本土培育与自觉的美学探索。

After nearly half a century of development,international dance video festivals have become a spectacular and remarkable cultural phenomenon worldwide. Among them,Hong Kong Jumping Frames International Dance Video Festival stands out in Asia and has gained international influence. Based on the aesthetic localization of "jumping frames"and the constructive interaction between its basic mechanism and global exchanges and cooperation,this paper summarizes the sixteen years’ practical experience of"jumping frames"and concludes that the fundamental reason for its success lies in absorbing the successful experience of the basic mechanism of international dance video festivals,the in-depth international exchanges and the refined adjustment and evolution,the long-term local cultivation and the conscious aesthetic exploration.