摘要
从"互文性"视角考察,舞剧创作作为一个集成性表意体系,其叙事过程和意义生产必然来自于一种非整一的、诸种变动因素彼此并立的复杂性对话结构。在包含表演、叙事、心理和社会的多重维度时空中,舞剧作品正是通过主体言语、文本张力和元素关联,从空间关系、意义生成和意象演变等多个层面,将社会或集体中共有的历史经验在社会文化的价值框架内进行相互作用、吸收和转换,从而创造出一个具有时代特征的叙事表意机制。
Investigated from the perspective of"intertextuality",the narrative process and significance production of dance drama art,as an integrated ideographic system inevitably come from a complicated dialogue structure that is characterized by discordance and various consistent variable factors. In the multidimensional time-space including performance,narration,psychology and society,dance dramas happen to cause interaction,attraction and transformation of common historical experience of the society or collectives within social and cultural value framework through the language of subjects,tension of texts and element association,so as to create a narrative ideographic mechanism with distinctive features of the times.
作者
夏静
XIA Jing(School of Dance,Nanjing University of the Arts,Nanjing 210000,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第6期120-124,共5页
Journal of Beijing Dance Academy
基金
江苏高校哲学社会科学研究重点项目“基于视知觉理论的跨界舞蹈审美体系研究”(项目编号2018SJZDI15)研究成果。
关键词
舞剧叙事
互文
对话
文本
narrative of dance dramas
intertextuality
dialogue
text