摘要
胡尔岩在中国舞剧创作史中有着特殊的地位,他的舞剧结构理论对中国舞剧创作影响深远。文章从"心理距离说"分析胡尔岩的舞剧结构理论,进而阐释在舞剧结构上所产生的不同心理距离而导致的观众审美欣赏以及艺术想象的观演体验。在分析胡尔岩舞蹈创作心理学理论体系中关于舞蹈结构理论思想的基础上,进一步探讨关于"心理距离说"在舞剧结构中的理论与研究,为舞蹈作品创作的审美想象以及作品的心理距离构建提供借鉴与思考。
Hu Eryan occupies a special place in the history of Chinese dance drama creation.His theory of dance drama structure exerts a profound influence on Chinese dance drama creation.This paper analyzes Hu Eryan’s theory of dance drama structure from the"psychological distance theory",and then explains the audience’s aesthetic appreciation and artistic imagination experience caused by different psychological distances in the dance drama structure.Based on the analysis of dance structure theory in Hu Eryan’s theoretical system of dance creation psychology,it further discusses the research of"psychological distance theory"in the dance drama structure,so as to provide reference for the aesthetic imagination of dance creation and psychological distance construction of dance works.
作者
朱晗
ZHU Han(Department of Dance Theatre,Central Academy of Drama,Beijing 100017,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第6期130-134,共5页
Journal of Beijing Dance Academy
基金
中央高校基本科研业务费专项资金资助中央戏剧学院院级科研项目“舞剧表演中的角色情感把握研究”(项目编号YNQN1804)的结题成果。
关键词
胡尔岩
心理距离说
舞剧结构
Hu Eryan
psychological distance theory
dance drama structure