“泛古”之形与文化“失语”——近十年汉唐古典舞作品创作分析

The “General Form of Ancient Dance” and Cultural “Aphasia”:Analysis on the Creation of Han-Tang Classical Dance Works in the Past Decade

汉唐古典舞作品在2009至2019年的十年间,以历史的纵轴和现实的横轴为基本面向,一方面继承与发展汉唐古典舞的舞蹈语言与审美风格,另一方面一定程度上也存在舞蹈语言模糊化、形象泛化和主题同质化的现象。这里以孙颖先生的泛古观为切入点,审视近十年汉唐古典舞的作品创作,揭示部分汉唐古典舞作品正面临文化"失语"的困境。此外,基于对问题的思考和分析,尝试提出应对思路,以期能够促进汉唐古典舞作品的创作与发展。

In the past decade from 2009 to 2019,the Han-Tang classical dance works are based on the vertical axis of history and the horizontal axis of reality. On the one hand,they inherit and develop the dance language and aesthetic style of Han-Tang classical dance;on the other hand,there are also phenomena of ambiguity in dance language,generalization of images and homogenization of themes to a certain extent. Taking Prof. Sun Ying’s view of "general form of ancient dance"as the breakthrough point,this paper examines the creation of Han-Tang classical dance works in the past decade. Through the comparative analysis,it reveals that some of the Han-Tang classical dance works are facing the dilemma of cultural "aphasia". In addition,based on the thinking and analysis of the problem,the paper tries to put forward some countermeasures in order to promote the creation and development of Han-Tang classical dance works.