北魏《晖福寺碑》与《张猛龙碑》比较研究——兼论魏碑书法在北魏时期的发展变化过程

Comparative Study of Hui-Fu Temple Stele and Zhang Menglong Stele in Northern WeiDynasty

我国魏晋南北朝时期北朝碑刻书法通称为魏碑,包括碑刻、摩崖、造像、墓志铭等石刻文字。这一时期的书法多继承了钟繇一派的书法风格,大量的魏碑书法充分地显示出质朴的主要风格特点,北朝书法因其质朴特点形成了独特的时代和地域书风。“平城阶段”“洛阳阶段”是魏晋南北朝时期书法的两个重要时期。文章分别以这两个阶段的著名作品《晖福寺碑》《张猛龙碑》为研究对象,通过对其用笔、结字、章法等方面进行比较研究,由点到面来揭示期间魏碑书体的细微变化以及产生这些变化的原因。

“Pingcheng stage”and“Luoyang stage”are two important periods of calligraphy in Wei,Jin,southern and Northern Dynasties.In these two periods,what changes have taken place in the calligraphy style of Wei steles?What are the reasons for these changes?This paper takes HuiFu Temple stele and Zhang Menglong Stele,the famous works of“Pingcheng stage”and“Luoyang stage”in the Northern Wei Dynasty as the research object,and through a comparative study of their pen,word structure and composition,reveals the subtle changes in the calligraphy style of Wei steles in these two stages and the reasons for these changes.