构建戏剧研究的新范式——评《“郭、老、曹”与北京人艺——戏剧文学与剧场的关系研究》

Constructing the New Paradigm of Theatre Research--Comments on Guo,Lao,Cao and Beijing People’s Art:a Study of the Relationship between Dramatic Literature and Theatre

中国话剧理论研究中,文学研究与剧场研究皆是不可或缺的研究主线。而文学剧本与立体剧场之间的互动关系作为学科的动态研究领域也应得到充分重视,陈军所著《“郭、老、曹”与北京人艺——戏剧文学与剧场的关系研究》一书,正是对这一薄弱课题的正面回应。该书通过新颖独到的研究方法、架构清晰的研究结构、理性褒贬的研究态度,明晰阐释文学与剧场的动态互动关系与互相接受过程,辅以充足详实的史料爬梳,观点有理有据。同时,该书仍可继续补充观众接受等研究视角,丰富理论层次,为当下戏剧学理论研究提供更加良好的互动研究新范式。

In the theoretical study of Chinese drama,both literary research and theatre research are indispensable research lines.As a dynamic research field,the interaction between literary scripts and three-dimensional theatre should also be paid full attention to,while Chen Jun’s Guo,Lao,Cao and Beijing People’s Art:a Study of the Relationship between Dramatic Literature and Theatre is a positive response to this weak topic.Through novel and unique research methods,clear research structure and rational attitude of praise and criticism,the book clarifies the dynamic interaction between literature and theatre and the process of mutual acceptance,supplemented by sufficient and detailed historical data,so as to make the viewpoints reasonable and justified.Meanwhile,the book can continue to supplement the research perspectives such as audience reception and enrich the theoretical level so as to provide a new better paradigm of interactive research for the current theoretical theatre research.