《芳华》反讽叙事的艺术探析

Study on Ironic Narration in Youth

《芳华》中的反讽叙事的艺术特征以其悖逆性形态使作家的作品别具一格。严歌苓以第一人称的叙述视角构筑了一群青春懵懂的少男少女们别样的芳华图景,作品依托言语反讽、情境反讽的叙述形态起承转合,凭借不可靠叙述者与隐含读者相背离的叙述手段隐晦达意,令读者在阅读中思索作者运用反讽叙事的真实意图,体察现实,反照自我。

The artistic features of ironic narration in Youth make the writer’s works unique with its rebellious form.Yan Geling constructs a group of young people’s youth scenes from the perspective of first-person narration.Her works rely on the narrative form of verbal irony and situational irony,and the deviating narrative means between unreliable narrator and implied readers,to express her intention implicitly.It not only makes readers think the true intention of using ironic narration,but also enables them to observe reality and to reflect themselves when reading.