生态审美视野下新时期云南边地小说创作探略

On the Creation of Yunnan Border Novels in the New Era from the Perspective of Ecological Aesthetics

生态审美兴起于20世纪80年代,是一种旨在消解人类中心主义的新型审美方式和审美观。长期以来,由于地域、经济、文化的边缘性,云南的边地小说创作被纳入乡土文化、民族文化、边地文化范畴中加以研究阐释,遮蔽了其内在的生态审美性。以新时期云南边地小说创作为例,立足生态审美视角,发现新时期云南边地小说创作在自然生态层面反映出生命意识与自然景观的融合,在家园意识层面表现出诗意栖息与本真存在的交汇,在审美理想层面体现出人与自然和谐相处、天人合一的价值取向。

Ecological aesthetics emerged in the eighties of last century,which is a new aesthetic way and aesthetic view aimed at dispelling anthropocentrism.For a long time,due to the marginality of region,economy and culture,Yunnan’s frontier novel creation has been included in the category of local culture,national cul⁃ture and border culture for research and interpretation,which has covered its inherent ecological aesthetic mo⁃dernity.Taking the creation of Yunnan border novels in the new period as an example,based on the ecological aesthetic perspective,this paper finds that the creation of Yunnan Frontier novels in the new period reflects the integration of life consciousness and natural landscape in the natural ecological level,the intersection of poetic habitat and real existence in the level of home consciousness,and the value orientation of harmony between man and nature and the unity of nature and man in the aesthetic ideal level.