纪录电影《城市梦》中的叙事策略研究

Research on the Narrative Strategy in the Documentary Film City Dream

纪录电影《城市梦》作为陈为军导演的又一力作,向观众展现了与以往不同的小贩与城管的故事。在影片中,导演采取“顺势”纪录的方式,充分利用主人公在镜头前的“社会化表演”增强影片的戏剧性与叙事性,并采取多角度的叙事方式,逐渐挖掘递进寻找最根本的冲突,来实现导演的“最高任务”。“顺势”与“冲突”建构了新的纪录电影的创作方式,将真实引入到美学视域当中。

The documentary film City Dream,directed by Chen Weijun,is a story about hawkers and urban management.In the film,the director adopts a“homeopathic”recording method,and displays the protagonist's“socialized performance”in front of the camera to enhance the dramatic and narrative effect of the film.With a multi-angle narrative method,the film gradually digs and progressively looks for the most fundamental conflict to achieve the director's“highest task”.“Homeopathic”and“conflict”construct a new creative method of documentary films,bringing reality into the aesthetic field of vision.