《醉翁吟(操)》主题与本事流变考论

Textual Research on the Change of the Theme and Story of Zuiweng Yin(Cao)

琴曲《醉翁吟(操)》与词牌《醉翁操》的本事、主题的生成、流播与变迁有如下关系:《醉翁吟》是沈遵据《醉翁亭记》本事所作琴曲,大约三十年后苏轼又应崔闲之请为其填词,使《醉翁操》成为词牌名。宋代,琴曲《醉翁吟(操)》广为流行,明清以后,词牌《醉翁操》与琴曲《醉翁操》《醉翁吟》并行不悖,无论琴曲或词调,其本事与主题与宋代醉翁故事及山水、知音、隐逸等主题有或隐或显的联系。

There are following relations among the origin,spread and change of the story and theme of the guqin music Zuiweng Yin(Cao)and cipai Zuiweng Cao:Zuiweng Yin was composed by Shen Zun according to the story of Notes of Zuiweng Pavilion.About 30 years later,Su Shi wrote ci for the guqin tune Zuiweng Cao responded to Cui Xian's request,making Zuiweng Cao a cipai name.In Song Dynasty,the guqin music Zuiweng Yin(Cao)was very popular.After Ming and Qing Dynasties,cipai Zuiweng Cao and guqin music Zuiweng Cao and Zuiweng Yin ran parallel.The story and theme of both guqin music and cipai,were implicitly or explicitly related to Zuiweng's stories in Song Dynasty and themes of landscape,intimate friends and seclusion.