“计白当黑”构图形式的演变与审美内涵

The Evolution and Aesthetic Connotation of the Composition Form of“Reckon Blank as Inked”

西学东渐后,西方画种传入,中国画创作者面临“二元对立”的道路选择。石涛云“笔墨当随时代”,如何重拾传统精华,注入新的时代生命力,是迫切需要深思的问题。“计白当黑”作为中国画构图形式中的一种,不仅传达了中国画的特殊美感,而且深蕴中国哲学和美学的精神。本文以“计白当黑”为主体,以时间为轴,从“计白当黑”的演变入手,阐释其在传统中国画中的表现及其审美内涵。

After the introduction of Western learning to the East and the introduction of Western painting,the creators of Chinese painting are faced with the road choice of“binary opposition”.Shi Tao said“pen and ink should follow the times”,how to regain the traditional essence and inject new vitality of the times is an urgent problem to ponder.As one of the composition forms of Chinese painting,“Reckon Blank as Inked”not only conveys the special aesthetic feeling of Chinese painting,but also contains Chinese philosophy and the spirit of aesthetics.This article will take“Reckon Blank as Inked”as the main body,take time as the axis,from the evolution of“Reckon Blank as Inked”,to explain its performance and aesthetic connotation in traditional Chinese painting.At the same time,the article tries to put forward some ideas on the creation of contemporary Chinese painting.