摘要
风起云涌的上世纪80年代,正当气锐力壮的年华,我曾负屐至宜兴顾问紫砂工艺。其间虽与谈志坚同处一城,却惜乎缘悭一面。随后的三十余年逝川里,我在上海主以操持汉光瓷,而他则成为了宜兴青瓷的守望者,相继躬身参与了传统宜兴青瓷向现代宜兴青瓷、宜兴"新青瓷"、宜兴"谈青"瓷演进的全过程。未曾想,机缘凑泊——在去岁冬的第三届上海国际陶瓷柴烧艺术节上,我们还是因共同钟爱的陶瓷事业而"一见即定交",虽为新雨,却颇有"倾盖如故"之感。
Tan Zhijian learns widely from others’strong points through travels all over the world.He draws on abundant inspirations from the decorative techniques of Dark-red Enameled Pottery Engraving,Jun Ceramic Piling and Sticking,Clay Painting on Colored Pottery and Jingdezhen Porcelain with Rice Grain Pattern.Thanks to unswerving efforts over decades,he finally forms the individual systematic celadon decorative art language,and gives shape to his own unique artistic style.
出处
《上海工艺美术》
2021年第1期29-31,共3页
Shanghai Arts & Crafts
