疫蝶效应——策展人线上艺术展中的博弈

Butterfly Effect Under Epidemic Situation in Online Art Exhibitions by Curators

如果一只南美洲蝴蝶扇动翅膀,两周后可能在美国引起一场龙卷风的话,那么2020年的疫情足以使我们的世界经历一场无法预估的改变。这种由微小的病毒引发到个体人类进而引发社会的连锁反应被称为“疫蝶效应”,无论生产力。情感.政府权界还是当代艺术,每个人都无法独善其身。在处于不同程度的社交隔离状态下的艺术展中,大部分博物馆、美术馆以及画廊,甚至艺术家都采取线上展的形式将作品展示送达“观众”的界面,而一场展览的主导者一策展人,在后疫情时期的策展工作中,势必面临新的挑战。无论是策展理念、逻辑,还是呈现方式.都需要策展人在展览策划中不断博弈与平衡。

Butterfly Effect Under Epidemic Situation in Online Art Exhibitions by Curators From the perspective of curators,this article explains the solutions to game in online exhibitions from three perspectives:choice for read-only mode or creative power experience:choice for benefit or public welfare;and preference for technology or contemporary art.This article carries out case analysis,and probes into the differences between online and offline exhibitions,as well as variable and invariable features of curators under the new art ecosystem.